Seen up close, the world of a butterfly reveals breathtaking details – the intricate patterns like stained glass on its wings, the delicate curl of its proboscis, the fuzzy texture of its body.
Capturing this miniature beauty through macro or close-up photography is an incredibly rewarding experience, transforming these familiar insects into works of art.
From the first bright Brimstones announcing spring to the rich colours of summer Fritillaries and Skippers, the UK countryside offers wonderful opportunities.
But getting sharp, well-composed close-ups requires specific techniques.
This guide is designed for beginners keen to master butterfly photography, covering the essential equipment, optimal camera settings for dealing with shallow depth-of-field, and fieldcraft tips to help you capture stunning images of these fascinating creatures.
Successfully photographing butterflies isn't just about having the right camera; it begins with adopting the right approach.
More than almost any other type of wildlife photography, it demands patience – butterflies rarely pose on command and waiting quietly for them to settle is key!
Persistence definitely pays off too.
Equally important is building your knowledge of their behaviour and habitats.
Understanding when different species fly, what flowers they favour for nectar, and where they are likely to rest or bask will dramatically increase your chances of finding them and anticipating photo opportunities.
While patience and knowledge get you into the right place at the right time, having suitable gear helps you capture the moment effectively when it arrives.
Let's explore the equipment that will help you get those stunning close-ups...
While beautiful butterfly photos are possible with various cameras, using an Interchangeable Lens Camera (ILC) – whether that's a DSLR or a Mirrorless model – generally gives you the most flexibility and control for this type of photography.
The main advantages are the ability to mount specialized lenses (like dedicated macro or telephoto options, discussed next) and having full access to manual settings (like aperture and shutter speed) to creatively handle focus and motion.
However, don't discount your smartphone!
Many modern phones boast impressive camera systems, sometimes including dedicated 'macro' modes or surprisingly capable optical or digital zoom features.
In good lighting conditions, and with careful technique (like tapping the screen to set focus precisely), you can certainly capture lovely butterfly images.
Smartphones offer unbeatable convenience and are always with you, making them great for spontaneous sightings!
Ultimately, the choice comes down to balancing your budget, how deep you want to dive into close-up photography techniques, and whether you prioritize maximum creative control or everyday portability.
Choosing the right lens is crucial for getting close to butterflies. Here's a quick comparison of the common options:
(e.g., 90mm, 100mm, 105mm)
Best for maximum detail & achieving life-size (1:1) or greater magnification.
(e.g., 100-400mm w/ close focus)
Best for photographing skittish subjects from further away & creating blurred backgrounds (bokeh).
(Screw-on Type / Diopter)
Best for low-cost experimentation using your existing lenses.
(Hollow tubes - no optics)
Best for increasing magnification of your existing lenses cost-effectively.
Here's a closer look at how each option works for butterfly photography:
These lenses are the specialists, built specifically for high-quality, high-magnification work.
Their key advantage is achieving true life-size (1:1) or even greater magnification, revealing incredible detail in a butterfly's wing scales or eyes.
They are optically optimised for maximum sharpness at very close focusing distances. For butterflies, a focal length around 100mm (common options include 90mm, 100mm, or 105mm) is often considered ideal.
It provides a good balance between high magnification and a reasonable working distance – the space between the front of your lens and the subject.
This allows you to get frame-filling shots without having to get so physically close that you risk scaring the butterfly away.
You might not need a dedicated macro lens, especially when starting out!
Many modern telephoto zoom lenses (like popular 70-300mm, 100-400mm, or even 150-600mm options) often feature surprisingly good close-focusing capabilities.
While they typically don't achieve true 1:1 life-size magnification (often around 1:4 or 1:3), they can still allow you to fill a significant portion of the frame with a butterfly, particularly larger species.
The primary benefit here is the much longer working distance, meaning you can photograph nervous or skittish butterflies from several feet away.
The long focal length itself naturally helps to compress perspective and create those beautifully blurred backgrounds (bokeh) that make your subject stand out.
If you're working on a strict budget or simply want to experiment with close-ups before investing in a new lens, screw-on close-up filters (sometimes called diopters or close-up lenses) are the most affordable option.
These filters attach to the front thread of your existing lens (like a kit lens or telephoto) and essentially act like magnifying glasses, reducing the lens's minimum focusing distance so you can get physically nearer to your subject.
They come in various strengths (e.g., +1, +2, +4 – higher numbers mean more magnification).
While they provide a great, low-cost entry point, be aware they require a very short working distance and can sometimes reduce image sharpness (especially towards the edges) or introduce minor optical aberrations compared to dedicated macro or high-quality telephoto lenses.
However, for the price, they are lightweight and allow you to start exploring the fascinating world of close-up photography.
While your camera and lens are key, a few well-chosen accessories can make capturing those perfect butterfly shots much easier:
Photographing butterflies often feels like trying to capture tiny, unpredictable jewels on wings!
Their rapid, seemingly erratic flight can certainly be challenging. However, the secret to consistently capturing those stunning shots often lies less in chasing them and more in patiently understanding their behaviour.
Knowing why a butterfly lands where it does, or how it typically moves, helps you anticipate moments and be in the right place at the right time.
Pay attention to these common butterfly activities, as they often present the best photographic opportunities:
Knowing preferred food sources is crucial for finding butterflies when they're feeding, but don't always assume it will be attractive flowers!
Britain's spectacular Purple Emperor butterfly, for example, famously shuns nectar, preferring to seek minerals from damp ground, tree sap, and even less savoury sources like animal dung or sweaty hikers!
Learning these species-specific habits and behaviours requires patience and quiet observation in the field, but it transforms butterfly photography from a game of pure chance into a much more rewarding and predictable pursuit.
Finding butterflies to photograph often comes down to knowing where to look!
Different species have specific habitat requirements, frequently linked to their larval food plants or favourite nectar sources.
Exploring the right places during sunny, warm conditions dramatically increases your chances.
Here are some key habitats to target for butterfly photography in the UK:
Other Options: For guaranteed sightings and excellent close-up practice, especially on cooler days, consider visiting dedicated butterfly houses (often found at zoos or garden centres) or wildlife centres with specially planted butterfly gardens.
The Speckled Wood butterfly, among others, prefers woodland habitats over open spaces. The Chalkhill Blue inhabits chalk and limestone downs here in the UK. One of the rarest of British butterflies, the Swallowtail, only breed where their foodstuff can be found. And those Purple Emperors? They like the tops of oak trees!
Additionally, butterfly houses and gardens can provide excellent opportunities to photograph butterflies in a controlled environment.
Once you have suitable equipment and know where to find your subjects, dialing in the right camera settings is key to capturing stunning butterfly photos!
Because you're often working close-up with potentially fast-moving insects, settings might differ from general wildlife photography.
Let’s look at the critical ones.
(If the basics of Aperture, Shutter Speed, and ISO are new to you, check out my main guide on how to change camera settings first.)
Controlling aperture (the f-stop number) is perhaps the biggest technical challenge in close-up butterfly photography because it directly affects depth of field (DoF) – the zone of acceptable sharpness in your image.
As the diagram below illustrates, DoF becomes extremely shallow when focusing very close.
This means that using a very wide aperture (like f/2.8 or f/4), while great for blurring backgrounds, might leave only a tiny part of the butterfly itself sharp (e.g., just the eye).
To get more of the butterfly in focus, especially if it's angled towards you, you usually need to use a narrower aperture (higher f-number).
A good starting point for perched butterflies is often around f/8 to f/11, sometimes even f/16 for maximum DoF if light allows.
However, even at f/16, the DoF can be mere millimetres at high magnification!
Slight movements or the angle of the wings can mean parts are still soft, as seen with the Red Admiral's rear antennae in the photo below, even though its eye and proboscis are sharp.
Of course, if the butterfly is further away, or if you want a very soft, artistic look focusing only on the head/eye, then wider apertures (like f/4-f/5.6) can still be used effectively to isolate it from the background.
While aperture controls DoF, shutter speed controls motion.
Even perched butterflies can flick their wings or antennae, and wind can cause movement.
To ensure sharpness and avoid motion blur (either from the subject or your own slight hand movements, which are magnified in close-ups), aim for a shutter speed of at least 1/250s or faster even for relatively still subjects.
If the butterfly is actively fluttering, feeding, or if you're shooting handheld with a longer lens, push this higher – 1/500s to 1/1000s or more might be necessary.
The main exception is early morning during the golden hour when butterflies are often cold and inactive, allowing for potentially slower speeds (though a tripod is then highly recommended!).
You can also use Shutter Priority Mode if freezing motion is your main goal.
As always, aim to keep your ISO as low as possible (e.g., ISO 100-400) for the cleanest images, especially if you have good sunlight.
However, don't be afraid to increase it when needed to achieve the shutter speed required for sharpness or the aperture needed for depth of field, particularly in dappled woodland light or on overcast days.
Modern cameras handle higher ISOs (800, 1600, even 3200) quite well, and a sharp shot with a little noise is usually better than a clean but blurry one.
Achieving critical focus is paramount.
Autofocus (AF) can work well, especially for perched butterflies in good light.
Using Single Point AF allows you to precisely place the focus point on the butterfly's eye or head. For more active butterflies, Continuous AF (AF-C/AI Servo) might help track movement, though erratic flight can still fool it.
However, for static subjects at high magnification, Manual Focus (MF) often gives the most precise control.
Gently rocking your body slightly back and forth while looking through the viewfinder (or using the magnified view on your LCD screen) is a common technique.
If your camera has it, the Focus Peaking feature (which highlights sharp edges in a bright colour) is incredibly helpful for confirming focus in MF mode.
To maximise sharpness with limited DoF, try to position your camera sensor parallel to the most important part of the butterfly (usually the wings, if open, or the body line).
or carefully composed shots of perched butterflies, Single Shot drive mode is usually fine.
However, butterflies can take flight instantly! Using Continuous (Burst) mode (low or high speed) can significantly increase your chances of capturing unexpected action like takeoff, landing, or brief interactions.
Quick Settings Summary (Starting Points):
Beyond the technical settings, thoughtful composition is what elevates a snapshot into a captivating photograph.
How you arrange the elements within your frame guides the viewer's eye and tells a story.
Here are some key techniques to try with butterflies:
A classic starting point!
Imagine your frame divided by two horizontal and two vertical lines (like a tic-tac-toe grid). Placing the butterfly, especially its head or eye, on one of the points where these lines intersect often creates a more balanced and visually appealing image than centering it directly.
It gives the subject space to 'look into' within the frame.
Don't feel every shot needs to be an extreme close-up.
Sometimes, stepping back slightly or using a moderately wide focal length to include the butterfly's habitat – the flowers it's nectaring on, the grasses it's resting in – tells a richer story.
This approach shows the creature within its world.
What's behind your butterfly is just as important as the subject itself!
Look for clean, uncluttered backgrounds that complement the butterfly's colours without distracting the eye.
You can often achieve this by:
Many butterfly photos are taken looking down from above.
Try getting your camera down to the butterfly's level, or even slightly below, looking up.
This often creates a more intimate and engaging perspective, showing the world from their point of view and potentially simplifying the background against the sky or distant foliage.
Especially when using a macro lens, don't be afraid to get close enough (while respecting the butterfly's space!) to fill almost the entire frame with your subject.
This emphasizes the intricate details, patterns, and textures that make butterflies so fascinating – perfect for highlighting wing scales or the structure of the head and antennae.
Use natural lines like stems, blades of grass, or leaf edges to draw the viewer's eye into the frame towards the butterfly.
This adds depth and guides attention naturally to your focal point.
While the thrill of getting that perfect shot is understandable, photographing these delicate creatures comes with a genuine responsibility.
Prioritising the butterfly's wellbeing and protecting its habitat is paramount.
Being an ethical photographer ensures your presence enhances appreciation without causing harm.
Here are some key guidelines for responsible butterfly photography:
Ultimately, the most rewarding butterfly photographs capture natural behaviour in an undisturbed setting.
Your patience and respect are just as important as your camera settings, ensuring these beautiful insects can continue to thrive for others to enjoy.
Capturing the butterfly is often just the start!
Post-processing allows you to refine your images, correct minor issues, and truly make the colours and details shine. Even simple edits can make a big difference.
Here’s a suggested workflow:
While JPEG files are smaller and ready to share instantly, shooting in your camera's RAW format provides much greater flexibility for editing.
RAW files contain all the original sensor data, allowing you to make significant adjustments to exposure, shadows, highlights, colours, and white balance later without sacrificing image quality.
This is especially valuable for bringing out the subtle, delicate colours found on butterfly wings.
You'll likely come back from a session with many similar shots. The first, crucial editing step is selecting only the very best images to work on. Be critical and objective!
Lightroom Culling Tip:
In the Library module (Grid view), quickly mark photos for deletion by selecting them and pressing the 'X' key to flag them as 'Rejected'.
Once you've reviewed your images, go to the 'Photo' menu > 'Delete Rejected Photos...' to remove them from Lightroom and/or permanently delete them from your disk.
Once you have your selected 'keeper' images, focus on these core adjustments using your preferred editing software (like Lightroom, Photoshop Elements/CC, Affinity Photo, or even capable mobile apps):
After nailing the basics, you might consider further enhancements or how you plan to use the image:
Creative Styles: Want a more artistic look?
Try converting the background to black and white while leaving the butterfly in full colour using selection tools in your software.
The following examples by Antoinette Sawyer show how effective this can be:
Consider the Destination: Think about the final use.
Will it be shared small on social media, or printed large for the wall? Images for online viewing might handle slightly more punch (vibrance, contrast) than those intended for print.
Cropping might also be necessary for different formats (e.g., square for Instagram) or to create products like cushions.
Experimenting with editing is part of the creative process – see what styles enhance your beautiful butterfly subjects best!
Butterfly photography, as we've explored, is a delightful blend of technical skill, quiet observation, and often, a healthy dose of luck!
Mastering it is a truly rewarding journey.
Remember the keys discussed throughout this guide: carefully prepare by researching butterfly behaviour, finding promising locations, and choosing the right times and conditions; cultivate endless patience to observe quietly and wait for those perfect, fleeting moments; and consistently practice with your camera settings and composition techniques.
Don't be discouraged by the butterflies that flutter away just as you focus – it happens to everyone!
Instead, focus on enjoying your time immersed in nature, learning more about these fascinating insects with every outing.
By combining preparation with presence and persistence, you'll soon find yourself capturing the unique, delicate beauty of butterflies in ways that bring joy both to yourself and hopefully to others who see your stunning images.
Happy butterfly watching and photographing!
Carol is a wildlife photographer and nature writer based in the East of England, with a passion for peaceful walks, patient observation, and capturing life’s quiet wonders.
Through her lens and words, she shares the stories of the natural world — from bluebells and butterflies to birds like the great crested grebe.
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