Take Control of Shutter Priority Mode

Ever feel frustrated that your camera isn't quite capturing the dynamic action of wildlife the way you envisioned it? Perhaps your shots of birds in flight are blurry, or maybe you want to intentionally convey the rush of movement in a flowing river or a running deer?

If you're ready to move beyond Auto mode and take creative control over how motion is portrayed in your nature photography, it's time to meet Shutter Priority mode (often marked S or Tv on your camera dial).

This powerful semi-automatic setting lets you dictate the crucial element – the shutter speed – while your camera intelligently assists with the other exposure settings (aperture and ISO).

Want tack-sharp, frozen action? You choose a fast speed.

Prefer an artistic sense of motion? Select a slower one, like in the swallow photo below, where a carefully chosen speed captured the frantic blur of its wings demanding food.

Understanding Shutter Priority Mode

Shutter Priority mode, marked 'S' or 'Tv' on most camera dials, puts you firmly in control of one of photography's most powerful creative tools: shutter speed.

This setting dictates exactly how long your camera's sensor gathers light for a single shot.

The magic of controlling shutter speed lies in its direct impact on capturing motion.

Want to freeze the frantic beat of a bird's wings or capture the crisp splash of water from a bathing robin? Select a fast shutter speed (like 1/1000s or quicker).

Want to convey the smooth flow of a stream or the energetic blur of an animal running past? Choose a slower shutter speed (perhaps 1/30s or longer, usually requiring a tripod for stability).

While you make the key decision about motion, Shutter Priority acts as a helpful assistant for exposure.

Based on the shutter speed you've set and the available light, your camera automatically selects the aperture (lens opening) it thinks is needed for a balanced picture.

If you're using Auto ISO, the camera might adjust the ISO sensitivity too, giving it more flexibility to achieve that exposure.

This automation lets you focus on capturing the right moment of action without juggling all three settings simultaneously.

Of course, the camera can only work with the light available.

Understanding how your choice of shutter speed influences the aperture and ISO the camera selects is important – and that's where the Exposure Triangle comes in...

Exposure Triangle Components

To truly master Shutter Priority Mode, it’s essential to understand the Exposure Triangle.

This concept describes how three key settings – your chosen shutter speed, the camera-selected aperture, and the resulting ISO – work together to determine the overall brightness (exposure) of your final photo.

exposure triangle diagram

In Shutter Priority (S/Tv), you control one crucial point of this triangle. Let's quickly recap what each component does, keeping in mind how the camera adjusts the other two based on your shutter speed choice:

Shutter Speed: As we've focused on, this is the duration the shutter is open (e.g., 1/1000s, 1/30s). You set this in S/Tv mode primarily to control how motion is captured (freeze or blur).

Aperture: This is the size of the opening inside your lens that lets light pass through to the sensor, measured in f-stops (like f/2.8, f/8, f/16).

A wider opening (lower f-number like f/2.8) lets in more light and also creates a shallower depth of field (blurrier background).

A narrower opening (higher f-number like f/16) lets in less light and keeps more of the scene in focus (greater depth of field).

In S/Tv mode, the camera automatically chooses the aperture it thinks is needed to correctly expose the image based on the shutter speed you set and the available light.

ISO: This adjusts your camera sensor's sensitivity to light.

Low ISO values (e.g., 100, 200) mean low sensitivity, best for bright light and producing the cleanest images with minimal digital noise (grain).

High ISO values (e.g., 1600, 3200+) mean high sensitivity, essential for shooting in low-light situations or enabling very fast shutter speeds.

When using S/Tv mode, if the camera can't achieve a good exposure by adjusting the aperture alone (perhaps because it's too dark for your fast shutter speed, or too bright for your slow one), it will often increase the ISO automatically (if you have Auto ISO enabled) as the third way to balance the exposure.

Keep in mind higher ISOs can reduce image quality, so there's always a trade-off.

jackdaw-in-flightNo time to fiddle with exposure as the Jackdaw flew over my head! Shutter priority and 1/2000th second captured the action and the camera took care of the exposure.

Shutter Priority vs Other Modes

Understanding where Shutter Priority (S/Tv) fits among your camera's main shooting modes helps you choose the right tool for the job.

Each offers a different balance of automation and creative control:

Full Auto Mode ('Auto' or Green Square)

The camera makes all exposure decisions (shutter speed, aperture, ISO). Perfect for point-and-shoot simplicity or if you're completely new, but offers no creative control over how motion or background blur appear.

Shutter Priority Mode (S or Tv)

As we've focused on in this guide, you control the shutter speed to manage motion (freezing action or creating blur), and the camera assists by setting the aperture (and potentially Auto ISO) to achieve a good exposure.

It's a fantastic stepping stone from Auto, giving you direct control over action while still providing exposure assistance – ideal for reacting quickly to wildlife

Aperture Priority Mode (A or Av)

Here, you control the aperture (f-stop), primarily to manage depth of field (how much is in focus, often influencing background blur).

The camera then automatically selects the shutter speed it deems necessary for a correct exposure.

This mode is often favoured for portraits, landscapes, or any situation where controlling the zone of sharpness is your main creative goal.

Manual Mode (M)

You control everything: shutter speed, aperture, and ISO.

This offers maximum creative freedom but requires a solid understanding of the Exposure Triangle and how settings interact.

Manual mode truly excels in tricky or rapidly changing light conditions where you want precise, consistent exposures across several shots (like photographing a bird against different backgrounds), or for specific creative techniques where the camera's auto-exposure might be fooled.


Time for experimentation: There's no single "best" mode; the ideal choice depends entirely on the subject, the light, and your creative intention for the photo.

Don't be afraid to switch between modes as the situation demands.

Try S/Tv for capturing action, Av/A when depth of field is paramount, and dip your toes into Manual when you feel ready or when the automatic modes aren't giving you the results you want.

Understanding the strengths of each mode is what truly empowers your photography.

Practical Applications: Controlling Motion with Shutter Priority

Now that you understand the basics of Shutter Priority (S/Tv) and the Exposure Triangle, let's explore when and why you'd choose specific shutter speeds during a typical nature walk.

Using this mode effectively is all about making a conscious decision about how you want to portray movement in your final image.

Using Faster Shutter Speeds (Freezing Action)

One of the most common and powerful uses of Shutter Priority in wildlife photography is to freeze motion, capturing incredibly sharp, detailed images even when your subject is moving quickly.

This requires selecting a sufficiently fast shutter speed – generally 1/500s or higher, and often much faster (1/1000s, 1/2000s, or even more) for very rapid action.

Be Ready for the Unexpected: Nature rarely performs on cue!

By pre-setting a reasonably fast shutter speed in S/Tv mode (say, starting around 1/1000s or 1/1600s when actively looking for wildlife), you're prepared to capture those fleeting, unpredictable moments.

Whether you round a corner and surprise a deer, spot a bird of prey soaring overhead, or see a small mammal dart across the path, you can react instantly and grab the shot before the moment vanishes.

Dynamic mid-air interaction between two Common Terns, frozen in sharp detail by a fast shutter speed.A dose of luck, backed by preparation! Having Shutter Priority mode set to 1/1600s 'just in case' allowed me to sharply freeze this sudden aerial interaction between Common Terns.


Capture Sharp Detail in Fast Movers: For subjects renowned for their speed – think birds taking flight, diving kingfishers, leaping dolphins, or flying insects – a fast shutter speed is absolutely essential to avoid motion blur and render sharp details.


hoverfly-in-flightPushing speeds to the limit! To freeze the incredibly fast wingbeats of this hoverfly required an extremely fast shutter speed of 1/6400s, dialed in using Shutter Priority mode.

Photo Tip: To maximize your chances when photographing fast action, combine your chosen fast shutter speed in S/Tv mode with your camera's fastest Burst Mode (continuous shooting) and a reliable Autofocus Tracking mode (like AF-C or AI Servo), if your camera offers them.

Creating Motion Effects with Slower Shutter Speeds

Shutter Priority isn't just for freezing things!

Deliberately choosing slower shutter speeds unlocks creative ways to portray movement, adding energy or tranquility to your shots.

However, a sturdy tripod is usually crucial for these techniques to ensure that anything you don't want blurred (like rocks, tree trunks, or the overall scene during panning) remains sharp.

Here are common ways to use slower speeds in S/Tv mode:

  • Silky Water Effects: To transform waterfalls, rivers, or coastal waves into smooth, ethereal patterns, experiment with speeds ranging from around 1/15s down to 1 second or even longer. The exact speed depends on how fast the water is moving and the effect you want. Keep an eye on your exposure – in brighter conditions, the camera will use a very narrow aperture (high f-number) and low ISO, and you may even need a Neutral Density (ND) filter to prevent overexposure.
River Dart taken with a slow shutter speedCapturing the flow: Shutter Priority set to 1/15th of a second allows the movement of the River Dart to blur beautifully over the rocks, while keeping stationary elements like the ferns and banks sharp. A tripod was essential here!

  • Wind-Blown Foliage: Capture the feeling of a breezy day by letting leaves, grasses, or flowers blur gently while keeping static elements sharp. Try speeds around 1/15s to 1/2s. This requires the plant to be moving but the camera to be perfectly still on a tripod.
  • Panning for Dynamic Blur (More Advanced): Create a sense of speed by tracking a moving subject (like a running animal or a bird flying parallel to you) smoothly with your camera while using a moderately slow shutter speed (e.g., 1/30s to 1/125s). If done well, the subject stays relatively sharp while the background blurs into motion streaks. This takes practice!

Remember, slower shutter speeds let in significantly more light, so always check the aperture and ISO values your camera selects to ensure they are appropriate for the scene and won't lead to overexposure or unwanted depth of field effects.

Ready for More Control? Transitioning to Manual Mode (M)

Once you're comfortable using Shutter Priority (S/Tv) to consistently achieve the motion effects you want, you might feel ready to take the next step towards complete creative control: Manual Mode (M).

In Manual mode, you are in charge of setting all three sides of the Exposure Triangle – shutter speed, aperture, AND ISO – yourself.

While this can seem daunting initially, your experience with semi-automatic modes like Shutter Priority (and perhaps Aperture Priority too) provides a fantastic foundation.

You've already practiced controlling at least one key variable while observing how the camera adjusts the others to balance the exposure.

he key to using Manual mode effectively often starts with deciding your main priority for the specific shot.

Is freezing motion most critical? Set your desired shutter speed first (just like you practiced in S/Tv).

Is controlling depth of field (background blur) paramount? Set your preferred aperture first (like you would in Av/A).

Once your priority setting is locked in, you then adjust the other main setting (aperture or shutter speed respectively) while carefully watching your camera's light meter (the indicator in your viewfinder or on the screen, usually showing +/- values).

Adjust until the meter indicates a balanced exposure (often marked as '0').

A mirrorless camera's live exposure preview in the viewfinder/screen makes this visualization even easier.

Finally, set your ISO to an appropriate level for the overall light conditions and your chosen shutter/aperture combination, aiming for the lowest ISO possible for best image quality.

A Helpful Stepping Stone: Auto ISO in Manual Mode

A great way to ease into full Manual control is to initially use Auto ISO (ideally setting an upper limit like 3200 or 6400 in your camera's menu).

This allows you to set both your desired shutter speed (for motion) and your desired aperture (for depth of field), while the camera automatically adjusts the ISO to achieve the correct exposure based on those two settings.

It gives you creative control over the two most impactful visual elements while still offering exposure assistance.

Just remember to keep an eye on the ISO value the camera selects to ensure it doesn't climb too high and introduce unwanted noise!

Capturing the Moment with Confidence

Learning to effectively use Shutter Priority mode is a key step in moving beyond automatic settings and truly taking creative control of your wildlife photography.

By understanding how to dictate shutter speed to capture motion just the way you want it, and seeing how it interacts with aperture and ISO, you're well on your way to more impactful images.

It's also the perfect foundation for confidently exploring Manual mode when you're ready.

But the real learning happens out there!

So, take this knowledge, grab your camera, and head out to your favourite nature spot.

Experiment with freezing those split-second moments, play with creating beautiful motion blur, and most importantly, enjoy the process.

Let your passion for nature shine through in every action-packed, perfectly timed shot you capture!

Photo of Carol

About the Author

Carol is a wildlife photographer and nature writer based in the East of England, with a passion for peaceful walks, patient observation, and capturing life’s quiet wonders.

Through her lens and words, she shares the stories of the natural world — from bluebells and butterflies to birds like the great crested grebe.

Read more about Carol

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